1814-1875 French Jean Francois Millet Galleries Millet was the first child of Jean-Louis-Nicolas and Aim??e-Henriette-Adelaide Henry Millet, members of the peasant community in the village of Gruchy, in Gr??ville-Hague (Normandy). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Th??ophile Langlois, a pupil of Baron Gros, in Cherbourg. A stipend provided by Langlois and others enabled Millet to move to Paris in 1837, where he studied at the Ecole des Beaux-Arts with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon was rejected. After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter. However, the following year he married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline's death by consumption, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris. It was in Paris in the middle 1840s that Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque, and Theodore Rousseau, artists who, like Millet, would become associated with the Barbizon school; Honor?? Daumier, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government.  Related Paintings of Jean Francois Millet :. | Sheep | Women in the forest | The field with house | Spring | village |
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George Inness
1825-1894 George Inness Galleries George Inness (May 1, 1825 -August 3, 1894), was an American landscape painter; born in Newburgh, New York; died at Bridge of Allan in Scotland. His work was influenced, in turn, by that of the old masters, the Hudson River school, the Barbizon school, and, finally, by the theology of Emanuel Swedenborg, whose spiritualism found vivid expression in the work of Inness' maturity. He is best known for these mature works that helped define the Tonalist movement. Inness was the fifth of thirteen children born to John Williams Inness, a farmer, and his wife, Clarissa Baldwin. His family moved to Newark, New Jersey when he was about five years of age. In 1839 he studied for several months with an itinerant painter, John Jesse Barker. In his teens, Inness worked as a map engraver in New York City. During this time he attracted the attention of French landscape painter Regis François Gignoux, with whom he subsequently studied. Throughout the mid-1840s he also attended classes at the National Academy of Design, and studied the work of Hudson River School artists Thomas Cole and Asher Durand; "If", Inness later recalled thinking, "these two can be combined, I will try." Concurrent with these studies Inness opened his first studio in New York. In 1849 Inness married Delia Miller, who died a few months later. The next year he married Elizabeth Abigail Hart, with whom he would have six children.
Edwin Austin Abbey
1852-1911 Edwin Austin Abbey Gallery Edwin Austin Abbey (April 1, 1852 ?C August 1, 1911) was an American artist, illustrator, and painter. He flourished at the beginning of what is now referred to as the "golden age" of illustration, and is best known for his drawings and paintings of Shakespearean and Victorian subjects. His most famous work, The Quest of the Holy Grail, resides in the Boston Public Library. Abbey was born in Philadelphia, Pennsylvania in 1852. He studied art at the Pennsylvania Academy of the Fine Arts under Christian Schuessele. Abbey began as an illustrator, producing numerous illustrations and sketches for such magazines as Harper's Weekly and Scribner's Magazine. His illustrations began appearing in Harper's Weekly at an early age: before Abbey was twenty years old. Abbey was an illustrator with Harper's Weekly from 1871-1874. He moved to England in 1878 where he was made a full member of the Royal Academy in 1898. In 1902 he was chosen to paint the coronation of King Edward VII. It was the official painting of the occasion and, hence, resides at Buckingham Palace. In 1907 he declined an offer of knighthood in order to retain his U.S. citizenship. Friendly with other expatriate American artists, he summered at Broadway, Worcestershire, England, where he painted and vacationed alongside John Singer Sargent at the home of Francis Davis Millet. He completed murals for the Boston Public Library in the 1890s. The frieze for the Library was titled "The Quest for the Holy Grail." It took Abbey eleven years to complete this series of murals in his England studio. In 1908-1909, Abbey painted a number of murals and other artworks for the rotunda of the new Pennsylvania State Capitol in Harrisburg, Pennsylvania. His works in that building include allegorical medallions representing Science, Art, Justice, and Religion in the Capitol Rotunda, large lunette murals underneath the Capitol dome, and a number of works in the House Chamber. Unfortunately, Abbey became ill with cancer in 1911 slowing his work. At the time, he was working on the "Reading of the Declaration of Independence Mural" which was later installed in the House Chamber. Abbey was so ill, that his studio assistant, Ernest Board completed the work with little supervision from Abbey. Later in 1911, Abbey died, leaving his commission for the State Capitol of Pennsylvania unfinished. John Singer Sargent, a friend and neighbor of Abbey, and studio assistant Board completed the "Reading of the Declaration of Independence Mural." Abbey's works were installed in the Rotunda and House Chamber. Two rooms from Abbey's commission were left undone, and the remainder of the commission was given to Violet Oakley. Oakley completed the works from start to finish using her own designs. Abbey was elected to the National Academy of Design and The American Academy of Arts and Letters. In 1937 Yale University became the home for a sizable collection of Abbey's works, the result of a bequest from Abbey's widow.
Benjamin Sayre Cory Kilvert
a fine arts painter Canadian , 1879-1946